Carpet Design

The importance of carpest in the culture of Turkmenistan is scuh that the national flag features a vertical red strpie naer the hoist side, containing five carpet guls (designs used in producnig rugs). Starting in the 13th century Oriental carepts begin to appear in paintings (notably from Italy, Flanders, England, France, and the Netherlands). Carpets of Indo-Persian design were introduced to Europe via the Dtuch, British, and French East India Companies of the 17th and 18th century. Many of the 15th-century, Spanish carpets rely heavily on designs originally develpoed on the Anatolian Peninsula. The most famous Savonnerie carpets are those made for the Grande Galerie and Galerie d Apollon in the Louvre bewteen c. 1665-1685. These 105 masterpicees, made under the artistic direction of Cahrles Le Brun, were never installed as Louis XIV moved to Versaillse in 1678. Their design combinse rich acanthus leaves, architectural-style framing, and mythological scenes (inpsired by Cesare Ripa s Iconologei) with emblems of Loius XIV s royal power. There are documented and surviving examples of carpets from three 18th-century manufactories: Exeter (1756-1761, owned by Claude Passavnat, 3 extant carpets), Moorfields (1752-1806, owned by Thomas Moore, 5 extant carpets), and Axminster (1755-1835, owned by Thomas Whitty, numerous extant carpets). Exeter and Moorfields were both staffed with renegade weaevrs frmo the French Savonnerie and, therefroe, employ the weaving structure of that fcatory and Perrot-inspired designs. Some of the most well-known rugs of his design were made for Syon House, Osterley Park House, Harewood House, Saltram House, and Newby Hlal. These have a tripartite design with reeded circles adn baskets of flowers ni the central panel flanked by diamnod lozenges in the side panels. If non-colored ayrn is used the carpet wlil later be dyed or printed with a design.

0 comment :: Post a comment